London: Oxford Press for the Bibliographical Society, Opole: Wyzsza Szkola Pedagogiczna im. New York: Dover Publications, Le Fanu. New York: Dover, Glenrock, NJ: Firebell Books, Ghost and Horror Stories of Ambrose Bierce. The Wild Irish Boy. Supernatural Fiction Writers. New York: Charles Scribner's Sons, Lovecraft: Four Decades of Criticism. Tim Underwood, Chuck Miller. New york: New American Library, The Best of H. Lovecraft: Bloodcurdling Tales of Horror and the Macabre. Jean Raimond and J.
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Chicago: Chicago UP, Frankenstein; or, The Modern Prometheus. Marie Mulvey-Roberts. Brian Docherty. New york: St. London: Continuum, Stephen King. Philadelphia : Chelsea House, BLUE, Tyson. The Unseen King. Iowa City: University of Iowa Press, Oxford University. BOCH, Gudrun. Harmut Heurmann. Germany: Bagal, BOI, Paola. BOK, Christian. Lovecraft on Occultism. Suzanne Bray, Adrienne E. Gavin and Peter Merchant. Newcastle upon Tyne, England: Cambridge Scholars, In Other Inquisitions Ruth L. Austin: University of Texas Press, Therese Fischer-Seidel. Darrell Schweitzer.
New York: New American Library, Making Monstrous, Frankenstein, Criticism, Theory. Cambridge: Boydell and Brewer. Glennis Byron and David Punter. The Gothic. Cambridge, UK: Boydell and Brewer, Romantic Circles Praxis Series December : www. London and New York: Routledge, BOUR, Isabelle. Nadia Rigaud. Columbia: University of South Carolina Press.
London: Cresset Press, Despair in the New Gothic Novel. BOYD, Alexander, ed. Stroud: Nonsuch, BOYD, J. Territoire des fantastiques. New York: Palgrave Macmillan, Lovecraft and the Semiotic Kantian Sublime. Hyde After Years. William Veeder, Gordon Hirsh. Bloomington: Indiana University Press, Weida, Germany: Thomas und Hubert, Carl Jr.
Sjaak Onderdelinden. Der Tod in englischen roman um Untersuchungen zum englischen schauerroman. Studies in the Humanities 19 : Columbia, SC. Erlangen: Univ. Erlangen Nurnberg, Supriya M. Introduction XX. To St. Leon by William Godwin. Peterborough, ON: Broadview Press, William D. BREY, Joseph. Die Naturschilderungen in den romanen und gedichten der Mrs. Zorn, Susan Stark. Susanne Stark.
Amsterdam , Netherlands : Rodopi, Ernst August Klingemann Gothic and Fairytale. Amsterdam: Rodopi. Ottowa: Canadian Film Institute, BRIX, Michel. The Caliph of Fonthill, intro. Nikolaus Pevsner. London: Werner Laurie, Stephen Bann. London : Reaktion, Character study of the heroine Adeline from a Freudian perspective. The Handbook to Gothic Literature , ed. Night Passages: Philosophy, Literature, and Film.
Columbia UP, Boston: Houghten, Mfflin, London: Routledge for Open University, New york: Greenberg, The Horror People. The Sentimental Novel in America, New York: Octagon, Kevin J. Cambridge UP, Interpreting Goethe's "Faust" Today , eds. Jane K. Brown, Meredith Lee, Thomas P. Columbia, SC: Camden House, The Gothic Text.
Palo Alto. CA: Stanford University Press. Sheridan Le Fanu. London: Arthur Barker, Night Shade: Gothic Tales by Women. The 17 short stories take place in everyday settings——contemporary houses, a bar, a veterinary hospital. Yet in this collection, the familiar is subverted. As the subtitle suggests, many of these stories have a feminist slant. For the most part, this is an excellent anthology of well-written stories, many of which would appeal to readers of either sex.
Martin and Eric Savoy. Iowa City: University Iowa Press, Anna Powell and Andrew Smith. Western Illinois University, La Tentazione della chimera: Charles Brockden Brown e le origini del romanzo americano. Rome: Storia e Letteratura, BUMA, Michael. Barry Keith Grant. Metuchen, NJ: Scarcrow Press, Westport, CT: Libraries Unlimited, Englewood, CO: Libraries Unlimited, Oxford: Blackwell Publishers, Thomas Pfau and Robert F. Durham : Duke University Press, Durham: Duke University Press, William Beckford e il Mondo Arabo islamico.
Lovecraft: A Critical Study. Diane Raymond. Berkeley: University of California Press, BUS, Heiner. New York: Greenwood Press, Washington D. C: University Press of America, Louis University. Rochester, NY: Camden House, The Horror Film. BYRD, Max. Globalgothic Manchester: Manchester UP, Dracula: Bram Stoker.
The Gothic World. Spectral Readings: Towards a Gothic Geography. Lisa Low and Anthony Harding. CAIN, Jimmie. Lanham: Scarecrow, CAIN, Stephen. Hugh C. Gabriel R. New Brunswick, NJ: Transaction, Jefferson: McFarland Company, Inc.
A Study of Six Female Texts, to Supernatural Fiction Writers , ed. New york: Charles Scribner's, , I, Boston: Twayne Publishers of G. David E. Schultz, S. New York: Cambridge UP, Jay Ellis. Salem, The Philosophy of Horror: or, Paradoxes of the Heart. Wendy and Nicole Burkholder-Mosco. The Innocents. Cardiff: U of Wales P, John Richetti. CART, Michael. The Horror! The Sadeian Woman and the Ideology of Pornography. New York : Pantheon, Dracula: The Vampire and the Critics. Foreword William Veeder. New York: Gordon Press, Narrative Doubt and the Supernatural in Gothic Fiction.
Specter or Delusion? The Supernatural in Gothic Fiction. Latin American Gothic in Literature and Culture. Tony Magistrale, Michael A. CASS, Jeffrey. Chicago: Valancourt Books, New York and London: Mthuen, The Mysteries of Udolpho. The Supernatural and English Fiction. London and New York: Continuum, Gary Hoppenstand and Ray B.
The Marquis de Sade: A Bibliography. The Gothic and the Rule of Law, A Bibliography of William Beckford of Fonthill. London: Rupert Hart-Davis, Vathek, with the Episodes of Vathek. Cambridge, UK: Constable, Ormond; or, The Secret Witness. Robert K. Iowa City; Iowa UP, The Romance of the Forest. In Profils Americains II , eds. Philip Coleman, et al. CHEN, Kuo-jung. Seriia Istorii, lazyka: Literatury 2. Online: www. Accessed: 23 December Shelley and Zastrozzi : Self-Revelation of a Neurotic.
London: Gregg-Archive, ISSN The Rose and the Key. Kansas City: Valancourt, CHIU, Neil. CHOI, Julie. The First Locked-Room Mystery? Texas Christian University, CHU, Li-Min. English Literature in the Eighteenth Century, with a preface on the relations between literary history and literary criticism. Mary Shelley The Transport of Pleasure. Beckford d. William Beckford av Fonthill, Wilts. Graham and Kevin Berland. An Illustrated History of the Horror Films. New York: G. P Putnam, ; Rpt. New York: Capricorn, New York: Macmillan, The Grotesque in English Literature.
New york: Oxford UP, Oxford: Clarendon Press, Reprinted Mary Shelley in Her Times. Oxford, UK: Clarendon Press, New York: Oxford , Allan Lloyd Smith and Victor Sage. London: Oxford University Press, Gothic Documents: A Sourcebook Philip W.
London and Basingstoke: Palgrave Macmillan, The Rise of Supernatural Fiction, Michael J. COAD, Oral. Harold Bloom. New York: Chelsea House, COBB, Palmer. The Influence of E. Hoffmann on the Tales of Edgar Allan Poe. The Strange Case of V. Anthony Magistrale. David Simmons and S. Palgrave Macmillan, On the Discrimination of Gothicisms. Stephen King and Richard Bachman. The Films of Stephen King. Mercer Island: Starmont House, The Many Facets of Stephen King.
The Stephen King Concordance. Mercer Island, WA: Starmont house, The Stephen King Phenomenon. Johanna M. Bosto: Bedford Books of St. Martin's pRESS, The Shorter Works of Stephen King. Tony Magistrale and Michael A Morrison. New York: Octagon Books, Madison , NJ. Juliann E. Montreal, PQ: Eden Press, Matthew G. New york: Arno Press, Marc C. Jackson: UP of Mississippi, Lovecraft at Last. New York: Cooper Square, Die Literarische angst: Das Schreckliche in schauerromantik und detektivgeschichte.
Dusseldorf, West Germany: Bertelsmann, Dent, ; Philadelphia: University of Pennsylvania Press, Tony Williams. COOK, Davidson. Radcliffe: A Farewell to Wilkie Collins. Gothic Studies 8. Kevin L. GGIII: ]. The Vampire in Legend, Fact, and Art. London: Robert Hale, The Werewolf in Legend, Fact, and Art. Stepping Out with the Devil in Romantic Ballet.
James Luther Adams and Wilson Yates. Grand Rapids, MI: Eerdman, Lanham, MD: Lexington, Andrew Smith and William Hughes. In The Handbook to Gothic Literature, ed. In Reference Guide to Russian Literature, ed.buysellbootstrap.dev3.develag.com/102-best-samsunggalaxy-a5.php
Neil Cornwell and Nicole Christian. London and Chicago: Fitzroy Dearborn, The Life, Times, and Milieu of V. Odoevsky, London: Athlone Press, London: Harvester Wheatsheaf, Napoli: Liguori, Roma: Bulzoni, Walpole and W. Empire and the Gothic: The Politics of Genre , eds. No, I don't I hate myself': Wilkie Collins and the Anatomy of Hatred. Cambridge: Cambridge UP, IT 38 : University of York. Michael Allen and Angela Wilcox.
Birgit Bramsback, Martin Croghan. Uppsala, Sweden: Uppsala University, Wolfgang Zach, Heinz Kosok. Germany: Narr, COVI, Giovanna. David Mogen, Scott P. Saunders, Joanne Karpiniski. Alan Sutton: Stroud, COX Jeffrey, ed. Seven Gothic Dramas, Paperback reprint of the original anthology. COX, Michael , ed. Twelve Tales of the Supernatural. Oxford University Press, The introduction pp. COX, Jeffrey, ed.
COX, Michael and R. COX, Michael. Twelve Victorian Ghost Stories. Fatal Women of Romanticism. Paul Schlueter and Jane Schlueter. New York: Garland, Zofloya, or the Moor by Charlotte Dacre. Introduction and Notes. New York : Modern Library. Hoffmann's Die Elixiere des Teufels. Sheridan Le Fanu: A Bio-bibliography.
The Bibliography of Gothic Studies. Day, Peter. Comparative Literature Studies. The Twilight of the Gothic? Sue Thornham. London: Routledge, New York: Twayne Publishers, Dracula: An International Perspective. Lewis' The Monk. Michael Eberle-Sinatra. Basingstoke and New York: Macmillan and St. Michael Eberle Sinatra and Nora Crook. In Dracula: The Shade and the Shadow. Jeffrey Andrew Weinstock.
Madison, WI: Popular, History of the Gothic: American Gothic. CROW, Charles, ed. American Gothic: An Anthology, Malden, MA: Blackwell Publishers, This anthology is timely and well-selected. American writers understood, quite early, that the Gothic offered a way to explore areas otherwise denied them. The Gothic is a literature of opposition. CUDE, Wilfred. Madrid: Universitad Complutense de Madrid, Noel Elizabeth. DA U of Minnesota, Novel by Ann Radcliffe, Caicago and London: St. James pESS, A Bibliography of the Works of Montague Summers.
London: Nicholas Vane, Diane Long Hoeveler and Tamar Heller. DAHL, Curtis. DAIL, James. Twelve Gothic Tales. DALY, Nicholas. DALY, Brenda. Jackson: University Press of Mississippi, Lasley and Irby B. The Strange Case of Dr. Aleksandra Nikcevic Batricevic and Marija Kne? Cambridge Scholars, New York: Charles Scribner's, , I. Mesmerism and the End of the Enlightenment in France. Bernard Rosenthal Boston: G.
In Le Roman noir anglais dit gothique. Northanger Abbey and Persuasion. London: Oxford UP, German Tales of Fantasy, Horror, and the Grotesque. Melbourne, Australia : Longman Cheshire, Homicide in American Fiction, Theodore G. Gish, Sandra g. Munich, West germany: Fink, Sheridan Le Fanu's 'Carmilla. The Gothic and Death. Anti-Semitism and British Gothic Literature. Allan Hepburn.
Annette R. Federico and Sandra M. Columbia: U of Missouri P, Edinburgh: Edinburgh UP, Douglass H. Thomson, Jack G.
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Voller and Frederick S. Toronto: University of Toronto Press, History of the Gothic: Gothic Literature Scottish Gothic: An Edinburgh Companion. DAY, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press. DAY, Patrick. DAY, William Patrick. Lexington: Kentucky University Press, Lovecraft: A Biography. New York: Ballantine, British Novelists ; Dictionary of Literary Biography , ed.
Martin Battestin. Detroit: Gale Research, Hell as Libertine Fantasy. Cadeilian: Zulma, Heidelberg, Germany: Winters, Indiana University of Pennsylvania, Maud Walther. Marburg: Tctum Verlag. London: Yoseloff, Shakespearean Gothic. Hoffmanns Dichtung und Weltbild. Hoffmann's Writing and World View. Oxford: Voltaire Foundation, Von Gespenster geschichten, Ihre technik und ihre literatur.
Leipzig, Germany: Schmid und Spring, DILL, Elizabeth. Baltimore: Penguin, William Whitebair. New York: Taplinger Press, Horror Films. New York: Monarch, Stuttgart, Germany: Beiber, Edmonton, Canada: The Society, DING, Katherine.
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Gothic Incest: Gender, Sexuality, and Transgression. Ann Arbor: University of Michigan Press, Lovecraft: A Critical Revaluation. Alain Niderst. Carroll Camden. Journal of Gender Studies. New York: Charles Scribner's , I, Richard C. Hildesheim, Germany: Georg Olms, Hoffmann in the United States, Introduction XXX. The Castle of Otranto. London: Scholartis, New York and Toronto: Collier-Macmillan, New York: E. Dutton, Gothic Shakespeares. U of Nebraska, DREW, Lorna.
Montgomery and the Female Gothic. Amsterdam : Rodopi, Foreword Laurence Davies. Forword Laurence Davies. New York: palgrave Macmillan, Richard Dury. Madison: University of Wisconsin Press, Lauren Goodlad, Michael Bibbly. British Novelists ; Dictionary of Literary Biography. Detroit : Gale Research, The Erotic World of Faerie. Bright, Amy, and Robert Runte. Newcastle upon Tyne: Cambridge Scholars, DUNN, Jane. Case-Western Reserve University, DUNN, Richard. Charles Robert Maturin and the Gothic Genre. Le Fanu]. On the power of landscape in several novels and short stories.
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U of Minnesota P, Tropical Gothic in Literature and Culture. Technologies of the Gothic in Literature and Culture: Technogothics. Perry and Carl H. EGAN, James. Ray Browne, Gary Hoppenstand. EGAN, Kenneth. The Old Manor House. Compton attended the Woodstock Music and Art Fair while still in high school. Compares and contrasts two Jimi Hendrix performances, held three weeks apart, to illustrate the politics of race in America during the s. There, playing to a predominantly black audience mostly unfamiliar with his music, he was seen as being apart from the crowd, someone dissimilar.
Notes the topic of the festival was proven to still be controversial when the U. Senate defeated legislation that would have provided funding to help build the museum. Describes the significant impact of the weather leading up to and during the Woodstock Music and Art Fair. Claims heavy rains prior to the event made installing a fence around the site in order to control access difficult, thus making the event free to two-thirds of the attendees. States some performances ended early due to the weather. Mentions the related effects of Hurricane Camille during this same weekend.
The author is a meteorologist. Acknowledges the Woodstock festival created briefly an euphoric endorsement for counterculture values of love and peace. Notes opinions regarding the festival range from it having been a paradise to an epic disaster, and from it representing youth united as a single voice to an accidental gathering without purpose. Concludes by stating the meaning of Woodstock is related to national identity because it was an exhibition of the freedom of expression.
Moves into a discussion on growth in the number of rock music festivals and their associated problems, such as violence. Mentions the career successes of Santana and Joe Cocker spawned by the festival. Concludes with a look at the Rolling Stones at the Altamont Speedway concert.
Includes a list of the fees paid to many of the acts appearing at Woodstock. Studies how the print media, both mainstream and alternative presses, originally reported on the Woodstock Music and Art Fair. Considers ideological stances of the publications and the related influences on the reporting. Includes a postscript in which two journalists Greil Marcus and Tom Smucker revisit and reflect on their original reporting. Relays observations of the event by three other individuals who also attended Woodstock. Reports Yasgur received approximately 10, letters following the concert.
Touches on all the key points related to staging the Woodstock Music and Art Fair. Presents a speech by the conservative author delivered at the Annual Meeting of the Philadelphia Society in Chicago, Illinois April 29, Acknowledges Woodstock was not an overtly political event, but also claims it would not have happened if it had not been for the Civil Rights movement and other political insurgencies of the s.
Offers first-person account of the Woodstock Music and Art Fair from a photographer who captured the event for the cover of Newsweek. States the music transcended social boundaries to create community. Claims efforts to recreate the spirit of the festival fail because the original spontaneity remains elusive.
Offers insight into maintaining the lighting system in the face of adverse weather conditions. Delves into the problems associated with producing a large-scale event, including having to account for both natural daylight and nighttime performances. Notes the need to meet the lighting demands of the performers and set designers. Reproduces a drawing of the stage lighting plans. Includes a list of the lighting supervisory staff members and an itemization of the equipment used. Notes some of the planning that went into preparing to report from the site, the various logistics, and the associated problems in doing so that developed during the concert.
Reflects on the Woodstock Music and Art Fair for the 40th anniversary of the event. Considers through an examination of the motion picture Woodstock how and what has been encapsulated and portrayed for history versus what has been ignored or glossed over. Faults filmmaker Michael Wadleigh for not capturing some of the behind-the-scenes controversies, such as the Grateful Dead demanding cash payment up front.
Explores why the iconic nature and cultural importance of the Woodstock Music and Art Fair was not initially realized, emphasized, or reported by major news media. Examines six daily newspapers New York Times , Washington Post , Wall Street Journal , Chicago Tribune , Los Angeles Times , and Cincinnati Enquirer and three magazines Time , Life , and Rolling Stone through the lens of framing theory to determine the prominence of the news event, the sources of information used to compile the coverage, and the extent to which the cultural aspects were given attention.
Finds each publication used primarily official sources such as law enforcement representatives, as opposed to consulting actual attendees. As a result, the coverage focused mainly on the problems created by the festival rather than the broader social implications and significances. Remarks on how he came to be involved with, and his experiences at, the Woodstock festival. Reports on the politics behind the funding of the museum.
Describes the exhibits, artifacts, and audiovisual presentations. Notes the museum reinforces existing notions of the event rather than attempting to overturn preconceptions. Delves into the origins of the museum including the purchase of the land by Alan Gerry and hiring of the architectural firm. Uses both the Bethel Woods Center for the Arts, a performing arts venue and a museum dedicated to preserving the Woodstock Music and Art Fair experience, and data from the Woodstock festival itself to present mathematical exercises.
Draws from what appears to be a website maintained by Wavy Gravy himself. Describes by what means the band came to play at the event and the manner of their arrival in a helicopter. Notes later regrets about postponing their performance which resulted in the band not being included in the film nor on the record album. States the Incredible String Band was possibly the only act at the Woodstock not to be called back for an encore. This is a website created and maintained by Country Joe McDonald. Engages in a discourse on the accuracy of various sources proclaiming to present the correct performance order of artists at the Woodstock Music and Art Fair.
Includes postings from attendees offering their own versions of events. Provides a first-person account of attending the Woodstock Music and Art Fair. Describes the poor sanitation conditions and associated odors. Talks about how easy, yet unnecessary, it was to have people paged from the stage. Describes the nearly hour-by-hour progression of deteriorating conditions and increasing unruliness of the crowd.
Comments on many of the acts. Takes Fred Durst of Limp Bizkit to task for encouraging from the stage dangerous behavior among the audience in the pit. Seems to be an official Woodstock website. Contains videos many of which appear to be from the motion picture Woodstock , photographs, and a news blog, all devoted to the Woodstock Music and Art Fair. The website also sells Woodstock products e. Represents the archives of the Woodstock Preservation Alliance, a group dedicated to perpetuating the spirit of the Woodstock Music and Art Fair and the preservation of the original site.
Notes the group opposed the building of The Museum at Bethel Woods. A New York Times website updated continuously and dedicated to all things Woodstock. Links to more than original articles from to present, including all Woodstock festivals to date. Contains videos and interactive media as well. Includes oral history videos submitted by readers.
Points to other Woodstock-related websites as selected by the editors. Commemorates the 40th anniversary of the Woodstock Music and Art Fair. Discusses multimedia displays at the museum and the legacy of Woodstock. Includes snippets of commentary from persons associated with the festival.
Presents the Woodstock Music and Art Fair from a historical perspective using interviews, film from the event, and photographs. Originally produced for television in Documents the Woodstock Arts and Music Fair. Contains footage of performances not seen in the original major theatrical film Woodstock History [ edit ] Books [ edit ] Alan, Carter. Boston: Northeastern University Press, Anson, Robert Sam. New York: Doubleday, Blake, Mark.
London: Aurum Press, Blelock, Weston, and Julia Blelock, eds. Bordowitz, Hank. Chicago: Chicago Review Press, Brant, Marley. New York: Backbeat Books, Brown, Tony, ed. London: Omnibus, Carson, David A. Cooke, John Byrne. On the Road with Janis Joplin. New York: Berkley Books, Curtis, Jim. Rock Eras: Interpretations of Music and Society, — Loose Change: Three Women of the Sixties.
Garden City, NY: Doubleday, DeGroot, Gerard J. The Rolling Stone Story. Edinburgh, Scotland: Mainstream, Evans, Mike, and Paul Kingsbury, eds. Woodstock: Three Days that Rocked the World. New York: Sterling, Evers, Alf. The Catskills: From Wilderness to Woodstock. Woodstock: History of an American Town. Woodstock, NY: Overlook Press, Fornatale, Pete. Back to the Garden: The Story of Woodstock.
New York: Touchstone, Francese, Carl, and Richard S. Friedlander, Paul. Rock and Roll: A Social History. Boulder, CO: Westview Press, Gelfand, H. Gerdes, Louise I. Perspectives on Modern History: Woodstock. Detroit, MI: Greenhaven Press, Gittell, Myron. Green, Jonathon. London: Jonathan Cape, The Band: Pioneers of Americana Music. Havers, Richard, and Richard Evans. Woodstock Chronicles. New York: Chartwell Books, Hillstrom, Kevin, and Laurie Collier Hillstrom. Defining Moments: Woodstock.
Detroit, MI: Omnigraphics, Hoskyns, Barney. New York: Hyperion, Beneath the Diamond Sky: Haight Ashbury — New York: Simon and Schuster, New York: Quadrangle, Joseph, Peter. New York: Charterhouse, Lifton, Robert Jay. Home from the War. Makower, Joel. Woodstock: The Oral History. Manchester, William. Marcus, Greil. McNally, Dennis. New York: Broadway Books, Perone, James.
Westport, CT: Greenwood Press, Pollock, Bruce. When the Music Mattered: Rock in the s. Reynolds, Susan, ed. Avon, MA: Adams Media, Robins, Wayne. New York: Routledge, Rogan, Johnny. London: Omnibus Press, Santelli, Robert. New York: Delta, Sheehan, Rita J. Charleston, SC: Arcadia, Spitz, Robert Stephen. New York: Viking Press, Stradling, David. Szatmary, David P. Tamarkin, Jeff. Got a Revolution! The Turbulent Flight of Jefferson Airplane. New York: Atria, Walker, Michael. Three Days of Peace and Music. Young, Jean, and Michael Lang.
Woodstock Festival Remembered. New York: Ballantine Books, Chapters [ edit ] Aronowitz, Alfred G. Bass, Amy. Bernstein, Jacob. Louise I. Budds, Michael J. Cavett, Dick. Steven Roby, Ian Inglis. Aldershot, U. Collier, Barnard L. Cooke, Alistair. Cooke, Douglas. Cullen, Jim. Robert F. Pasadena, CA: Salem Press, Dalton, David. Doyle, Michael William.
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